His pottery was not for every day use – it was very fragile and often ornamental or for special occasions only.
Growing up, there was a large Zavi bowl that sat on our living room coffee table. Oh how I wish I could have that bowl back now!
The design of that bowl was geometric shapes of oranges/browns and greens with white owls interspersed with the shapes.
The bowl went to auction when my parents downsized and I don’t think any us kids wanted it - at the time…
Since then, I have come to see how beautiful Zavi’s pieces really were (and are). Crafted of rough clay, they are often hand hewn and very thin/fragile. I imagine a number of them broke in their day.
He seemed to focus on his natural world as a theme for the designs that I have seen.
A one-page piece in the book Cobourg 1798-1948 names him Yarko (which clearly his signature indicates was wrong – you can see it’s a “J”), and describes how he was composing his glazes from Canadian minerals.
I have been lucky enough to find three of his bowls over time. The one above with the rooster is perhaps the most stunning.
Below are two more:
The second bowl is, again, quite small, and very fragile. Its lovely design is of snowdrops – something I hope to see in the not too distant future (that may be wishful thinking given the winter we’re having!)
You can find piece of his if you google him – in far off places like England or Vancouver Island.
I will keep these pieces tucked away for now due to their fragility and rarity. They will remain in the Three Six Five.
Have you ever seen any of Jarko’s work? Quite lovely isn’t it?!